Music psychology:tonal structures in perception and memory.
نویسنده
چکیده
INTRODUCTION . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .. . . . . . . . .... . . ... . . . . . . . . . . . . . . ... . . . .. . . . . . . . . . 277 CONSONANCE . . . . . . . . . . . . . . . . .. . . . . . . . . ....... . . . . ... . . . . . . . . . . . . . . . . . . . . . . .... . . . . . . . . . . .. . . . . . . .. . 278 TUNING AND INTONATION...... . . ........ . ....... . . ....... . . .... . . . . ..... . . . ..... . . .. . . . ...... 280 CATEGORICAL PITCH PERCEPTION . . . . . . . . . . . . . . . . . . .. . . . . ... . . . . . . . . . . . . . . . . . . . ... . . . . . ... 281 ABSOLUTE PITCH PERCEPTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . .. . 283 MODELS OF TONAL RELATIONS ...... .............. ............................... 285 TONAL HIERARCHIES . . . . . . . . . ..... . . . . . ..... . . . . .... . . . . ..... . . ...... . . . . . . . . . . . . . . . . ... . . . . . . . . 287 HARMONY AND KEy. . . . . . . . . . . . . ... . . . . . . ... . . . . . ... . . . . . .... . . . .. .. . . . . . . . ... . . . . . . . .. . . . . . . . . . 290 CODING MODELS OF MUSIC. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. ..... . . . . . 291 LINGUISTIC THEORY APPLIED TO MUSIC . . . . . . . . . . . . . . . . . . . . . . . . .. . .. . . . . . . . . . . . . . . . . . . . 293 MELOn ' y PERCEPTION AND MEMORy. . . . . . . . . . . . . . . . ... . . . . . . . . . . . . . . . . . . . . . ... ...... . . . 295 MELODY AND RHyTHM . . . . . . . . . . . . ... . . . . . . ... . . . . . ... . . . . . ... . . . . . . . . . . . . . . . . . . . . . . .. . ....... . 297
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ورودعنوان ژورنال:
- Annual review of psychology
دوره 42 شماره
صفحات -
تاریخ انتشار 1991